JOHN is standing in mourning clothes and a travelling cape. Waits another open carriage upon which servants are laying trunksĤ INT.
Outside the house sits a very well-to-do carriage. He rises and we hear him going to find the DOCTOR.īut it is we who share the dying man's last words.ģ EXT. Behind them isĪ brief moment of sincerity overcomes JOHN's natural hypocrisy. JOHN's face is a picture of conflicting emotions. Hundred pounds a year, barely enough to live on and nothing for JOHN looks torn between genuine distress and unexpected delight.īut your stepmother my wife and daughters are left with only five Whether or not it is delineated in the script, the Gossips are often watching or whispering or contributing to the action. Norland in its entirety is therefore yours by law and I am happy This is not good for youīut MR DASHWOOD continues with even greater determination. NORLAND PARK - ENGLAND - MARCH 1800 - NIGHT Silence. A well-dressed, pompous-looking individual (JOHN DASHWOOD, 35) is making an urgent journey on horseback.
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OPEN ROADS - NIGHT - TITLE SEQUENCE A series of traveling shots. Of Norland was left to me in such a way as prevents me fromĬalm yourself, Father. 'SENSE AND SENSIBILITY' Screenplay by Emma Thompson Based on the novel by Jane Austen EXT. John you will find out soon enough from my will that the estate Sense and Sensibility premiered February 14, 2002, in Tempe, Arizona, produced by Actors’ Renaissance Theatre. MR DASHWOOD summons his last ounces of energy and starts to She passes JOHN DASHWOOD as heĮnters, presses his hand, but cannot speak. MRS DASHWOOD makes a superhuman effort and smiles back. She nods quickly and he smiles at her with infinite tenderness. MANSERVANT (THOMAS) now enters, anxiety written on every feature. MRS DASHWOOD tries to laugh but it emerges as a sob. Margaret will go to sea and become a pirate so we need not MRS DASHWOOD is just managing toīut Marianne is sure to find her storybook hero.Ī romantic poet with flashing eyes and empty pockets? The men are such noodles hereabouts, little wonder His side, holding his hand, her eyes never leaving his face.Įlinor will try to look after you all, but make sure she finds a Him two silhouettes move and murmur, their clothing susurrating
#SENSE AND SENSIBILITY SCRIPT PDF SKIN#
In the dim light shed by candles we see a bed in which a MAN (MRĭASHWOOD, 52) lies his skin waxy, his breathing laboured. Part of the eighteenth century, lies in the moonlit parkland.Ģ INT. Norland Park, a large country house built in the early
Individual (JOHN DASHWOOD, 35) is making an urgent journey onġ EXT. TITLE SEQUENCE.Ī series of travelling shots.
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